Book Details

Cultural Studies Review

Recalling Modernity

Vol. 13, No. 1

John Frow and Katrina Schlunke (eds)

Formerly the UTS Review, the Cultural Studies Review is Australia's leading journal in cultural studies.

About this Title

Includes essays by Bruno Latour, The Recall of Modernity-Anthropological Approaches (translated by Stephen Muecke); Graham Harman, The Importance of Bruno Latour for Philosophy; Liz Jacka, Don't Use the A-Word: Arts by Stealth at the ABC-A Latourean Analysis; Nicole Brenez, T.W. Adorno: Cinema in Spite of Itself-but Cinema all the Same (translated by Olivier Delers and Ross Chambers); Christina Lee, Going Nowhere?: The Politics of Remembering (and Forgetting) Molly Ringwald; John Fitzgerald and Terry Threadgold, Desire and the Abject in the City Becoming-Other; Robyn Ferrell, Translating Worlds: Is Petyarre's Work Abstract?; Ben Dibley, Museum, Nation, Aesthetics: On the Politics of Camp at the Museum of New Zealand-Te Papa Tongarewa; Lisa Slater, Intimate Australia: Body/Landscape Journals and the Paradox of Belonging; Paul Magee, Why 'Salo' is Banned in Australia; Rachel Buchanan, The Dementia Wing of History; Lisa McDonald, Dis/articulating Bellies: A Reproductive Glance and Sarah-Jane Norman, Untying the Old School.

The issue also features book reviews by Panizza Allmark of Barbara Creed's Phallic Panic: Film, Horror and the Primal Uncanny; Kate Livett of Nato Thompson (ed) Becoming Animal: Contemporary Art in the Animal Kingdom; Sarah Redshaw of Mike Featherstone, Nigel Thrift, and John Urry (eds) Automobilities; Richard Smith of Meaghan Morris, Siu Leung and Stephen Chan Ching-kiu (eds) Hong Kong Connections: Transnational Imagination in Action Cinema, David McInnes of Steven Cohan Incongruous Entertainment: Camp, Cultural Value, and the MGM Musical.

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978-0-522-85403-9